The next put up accommodates spoilers from Citadel Rock’s Season 2 premiere.
Thanks to 1 specific scene in Citadel Rock’s sophomore debut, we’ve indefinitely misplaced our appetites for ice cream.
Season 2 of the Hulu anthology stars Lizzy Caplan (Masters of Intercourse) as a youthful model of Annie Wilkes, the mentally unbalanced nurse who first appeared in Stephen King’s novel Distress (and was later portrayed by Kathy Bates within the 1990 movie adaptation). The season’s first three episodes dropped on Wednesday, and a sequence close to the tip of the premiere — during which Caplan’s Annie murders her landlord through ice cream scoop — proved particularly chilling.
“I like that second,” Caplan admits to TVLine. “That was the second once I first learn the script that I used to be absolutely bought — simply the best way that it was described.”
The premiere finds Annie and her teen daughter, Pleasure, quickly staying in Citadel Rock after a automobile accident leaves them stranded there. Annie is at the moment on the run from the regulation — it turns into clear that she murdered somebody years in the past, although particulars stay fuzzy within the premiere — and she or he’s been road-tripping by means of the US with Pleasure for years, altering her license plates at common intervals and holding a low sufficient profile to elude the FBI.
However Annie’s landlord in Citadel Rock, Ace (performed by Home of Playing cards’ Paul Sparks), learns the reality about Annie just some days into her keep. When he reveals up in her condominium one evening — not solely to disclose that he is aware of her id, however to blackmail her and Pleasure into holding his personal secrets and techniques for him — Annie snaps. She offers Ace a agency kick within the groin, then shoves the ice cream scoop down his throat, repeatedly pounding it additional down his windpipe till he chokes to dying. (In Caplan’s opinion, the post-production group “completely nailed” the scene’s sickening “crunching noises.”)
The homicide marks Annie’s first large breakdown of the episode, although she’d simply been prescribed a brand new cocktail of anti-psychotics shortly earlier than killing Ace. With out her drugs, Annie begins to hallucinate ugly issues, together with flashbacks to the evening her first sufferer was killed — however it could have come as a shock to viewers that Annie would hurt somebody even whereas medicated.
“There are various issues which might be always happening with Annie that we’ve got to navigate. A few of the extra violent outbursts — they’re not direct outcomes of her not taking her drugs,” Caplan clarifies. “A few of them are, however there are different issues in play. On this specific second, she wants to guard her daughter, and she or he is singularly targeted on that ache. She is going to do something to guard her daughter. Drugs apart, I believe the end result in all probability would have been the identical.”
And if you happen to discovered Ace’s homicide troublesome to observe, Caplan confirms it was equally unsettling to movie — particularly since that was the primary scene she shared with Sparks.
“We met on that set, after which we needed to get into the utterly insane second whereas we have been each… determining how we’re taking part in these characters,” the actress reveals. “It may have positively not labored out in addition to I believe it labored out.”
Caplan provides that she was legitimately apprehensive about harming Sparks and the stunt group throughout filming, contemplating “you might be sticking this system into any person’s throat,” although the ice cream scoops used throughout manufacturing diversified in size.
“When Annie is hammering it house, that’s a little bit daunting. Regardless that we attempt to make it as protected as doable, I’m pretending to hit this factor, and it truly is in an actual individual’s mouth. It’s proper there,” she shares. “The very last thing you wish to do is severely injure any person on the primary day. We saved most of our accidents for later within the season.” (With reporting by Kimberly Roots)
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